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Q: With an overarching theme commenting on the advance of technology and how large corporate entities play a dominating role in how we communicate, distribute, and share and value content, how do you reconcile - or perhaps, take the best bits – from those outlets and technologies so that your music and message connects?Well, is only available on CD and to download, so maybe it will connect less than something stream-able but this is a twist I'm OK with. It's amazing how much money artists spend on just getting into playlists and being represented as "popular" online but then they get no actual financial returns?If you wanted to insult Daniel Merriweather’s debut album, you could call it Back to Black without all the personality.Like Winehouse’s game-changing album, Merriweather’s is also drenched in Mark Ronson’s nostalgic production with all its Sam Cooke spirit and '60s R&B sophistication.I was co-producing Daniel Merriweather's album here in Melbourne and we wrote on a plane from LA to NY and emailed me her vocals. I suppose it's better to write in person but, there are so many variables to songwriting and often I find that an artist can get into some strange and fertile zones when they are alone and composing to an existing track.My cousin Phil Rose (Nursery Crimes/Body Jar) and I wrote a lot of stuff together, Gabriel Winterfield from Jagwar Ma was suddenly living next door to me. Its such a beautiful feeling to fly in some vocals from elsewhere and feel the exhilaration when it really clicks together.Four months after splitting from his wife he started dating New York singer Samantha Urbani.
Other artists Mark has collaborated with include Adele, Lily Allen, Nas, Paul Mc Cartney and Daniel Merriweather to name a few.
The track with Ben Monder is a recording of Ben's guitar and his poem recitation set against a recording of a pile driver that was next to my apartment in the East Village... So much pop is done remotely now and it may even have created some fresh musical paradigms?